{"title":"Keeley Guitar Effects","description":"\u003ch2\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/files\/keeley_logo_large.jpg?4308632110851448449\" alt=\"\"\u003e\u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eRobert Keeley has been defining great tone with his pedals since 2001. Rusty Frets Guitar Shop is proud to be an Authorized Keeley Electronics Pedal dealer!\u003c\/h2\u003e","products":[{"product_id":"keeley-4-knob-compressor","title":"Keeley - 4 knob compressor","description":"The Keeley Compressor is the award winning industry standard for stomp box compression. The 4 Knob adds Input Clipping and Attack controls to the top of the the original Keeley compressor for easy adjustment. Perfect for those that often switch live between single coils and humbuckers. The sound alone will inspire your creativity. All of our Compressors are hand built in the USA. Unlike any other compressor, the Keeley Compressor was given the Editor’s Pick Award from Guitar Player’s Magazine and recently awarded Reader’s Choice for Stomp Box. It is a true audiophile and studio grade compressor with an exotic rack mount quality in a stomp box form.","brand":"Keeley","offers":[{"title":"Default Title","offer_id":948676315,"sku":"00854295005055","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-4-knob-compressor-932089391.png?v=1503439670"},{"product_id":"keeley-fuzz-head-distortion-pedal","title":"Keeley Fuzz Head Distortion Pedal","description":"This might be what you've been looking for in an overdrive\/fuzz box! The blend between the two is simply wonderful! The Fuzz Head is designed to work like Fuzz Face pedals that many players use as a LEAD BOOST. A Fuzz Face can be muddy, lacking note definition, too bassy, and lacking sustain. An overdrive sometimes doesn't give enough or is too smooth. In contrast, our design is transparent, has a better frequency response, and gives you that cutting edge for lead breaks. The Fuzz Head Pedal is very transparent and dynamic. It takes the best qualities of the germanium designs and the overdrives. Roll back the volume on your guitar for clean sounds and a variety of tones, textures, and natural fuzz\/overdrive!","brand":"Keeley","offers":[{"title":"Default Title","offer_id":948709419,"sku":"00854295005024","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-fuzz-head-distortion-pedal-932117899.png?v=1503439727"},{"product_id":"keeley-seafoam-chorus-pedal","title":"Keeley Seafoam Chorus Pedal","description":"Keeley Electronics is proud to announce the new Seafoam Chorus effect pedal. This digital chorus has been designed from the ground up to have the voicing and meticulous attention to detail that you expect from Keeley products. The Seafoam Chorus has a small footprint with a huge range of versatility. It’s perfect for subtle and smooth or splashy and exotic; with the controls - Rate, Depth, Tone, and Blend, it’s simple to find your creative muse with this tone tool. With professionals and studios in mind we have employed several innovations that set this chorus above the rest. Powered by the ES56033 and using a opto-coupler for unique way to control the depth, this Keeley chorus pedal is another unique design and first in the effects world.","brand":"Keeley","offers":[{"title":"Default Title","offer_id":950303691,"sku":"00854295005116","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-seafoam-chorus-pedal-933570291.jpg?v=1503439812"},{"product_id":"keeley-4-knob-compressor-arlon","title":"Keeley - 4 Knob Compressor Arlon","description":"Exactly the same as our superb hand made compressor, only with a gorgeous custom finish! These finishes are all completely unique and will vary. They are all 100% different. The Keeley Compressor is the award winning industry standard for stomp box compression. The 4 Knob adds Input Clipping and Attack controls to the top of the the original Keeley compressor for easy adjustment. Perfect for those that often switch live between single coils and humbuckers. The sound alone will inspire your creativity. All of our Compressors are hand built in the USA. Unlike any other compressor, the Keeley Compressor was given the Editor’s Pick Award from Guitar Player’s Magazine and recently awarded Reader’s Choice for Stomp Box. It is a true audiophile and studio grade compressor with an exotic rack mount quality in a stomp box form.","brand":"Keeley","offers":[{"title":"Default Title","offer_id":950404619,"sku":"00854295005130","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-4-knob-compressor-arlon-933604779.jpg?v=1503439677"},{"product_id":"keeley-red-dirt-overdrive-pedal","title":"Keeley Red Dirt Overdrive Pedal","description":"The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.","brand":"Keeley","offers":[{"title":"Default Title","offer_id":951019091,"sku":"00854295005093","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-red-dirt-overdrive-pedal-933839731.jpg?v=1503439807"},{"product_id":"keeley-aurora-reverb-pedal","title":"Keeley Aurora Reverb Pedal","description":"\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/cNDS2JGp09I\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003ch1\u003eAURORA REVERB\u003c\/h1\u003e\n\u003cp\u003eTurn down the lights, turn up the spectrum…\u003c\/p\u003e\n\u003cp\u003eJoin Keeley Electronics’ grand entrance into the hallowed halls of psychoacoustic processing–the Aurora Reverb. From the distant echo of cathedrals to 600 pound sheet-metal plate vibrations to spring reverb coils in a tank, reverb captures our imaginations and plunges us deeply into our musical psyches.  Few effects complement a guitar better than reverb.\u003c\/p\u003e\n\u003cp\u003eAt Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor. AND IT SOUNDS GREAT! In fact, when asked if it offered “trials,” I couldn’t help but think, why do you need trails for a pedal you won’t want to turn off?\u003c\/p\u003e\n\u003cp\u003eThe following controls offer everything from pristine fast reflections to ethereal spaces to deep, dark, and endless caverns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecay:\u003c\/strong\u003e Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a walk-away-and-come-back signal of complex, still-ringing musical reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlapback\u003c\/strong\u003e: Slapback is what we call predelay. Predelay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal. Such a setting would enable short, staccato, single-syllable type expressions to finish articulating before being suffused AND being joined by the tail-end of previously reverberated sounds. But when the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull. The Keeley Aurora Slapback setting provides you with a sufficient range of time, from zero milliseconds to 100 milliseconds, ample time considering a pedal-board footprint this small.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarmth:\u003c\/strong\u003e Dial up the warmth. Opposite to most tone controls, ours increases the warmth, as it is a dampening control. Its brightest setting is when completely dialed down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlend:\u003c\/strong\u003e Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. Because the Keeley Aurora Reverb is a pedal-board unit, we suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Toggle Switch:\u003c\/strong\u003e The three most popular reverb styles that don’t come built into your amplifier are Room, Plate, and Hall. In the smallest footprint possible, we offer what used to take up entire city blocks or an entire studio room. You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds, or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.)\u003c\/p\u003e\n\u003cp\u003eAll in all, the Keeley Aurora Reverb promises to provide the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":1713273219,"sku":"Keeley-Aurora","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-aurora-reverb-pedal-1617752195.jpg?v=1503439723"},{"product_id":"keeley-stahlhammer-distortion","title":"Keeley Stahlhammer Distortion","description":"\u003ch1\u003e\u003cstrong\u003eKeeley STAHLHAMMER Distortion\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThe Stahlhammer is a hard hitting distortion pedal with no equal at Keeley Electronics.  For cranked British amp sounds, this unique pedal design delivers. Keeley has combined classic high gain amp distortion and added a tube amp style EQ to give you a wealth of tones.  This unique structure has two modes of operation – High Gain\/Tube Saturation switchable from the right side of the pedal. The three tone controls, Bass – Middle – Treble, give you a fantastic range of amp sounds that you will be both familiar with and find easy to dial in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e – Full and thick distortion with hard-clipping style diodes to ground.  Based on the LM1458 with its slow slew rate, this pedal just rips for a taking a Strat or Paul in thick and rich heavy clipping.  Hey, you need something that sounds just like your amp when it just starts to break up, turn this down to about 9 O’clock and you’ve got your amp’s tone nailed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e – We’ve added a 3x make-up gain output buffer to this pedal so that you’ll always be able to drive your amp with authority.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube Amp Eq\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBass – This is for your low end response, around 100Hz and lower.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eMiddle – This affects frequencies from 800Hz to about 1.6KHz.  You can heavily scoop out the mids, or push them to really stand out!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eTreble – This is to roll of treble or push upper frequencies around 3.2KHz and higher.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGain Switch\u003c\/strong\u003e – Two modes of distortion are available from switch mounted on the right hand side of the pedal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSwitch UP – Tube Amp Crunch.  Just like your three channel amp’s Crunch Channel – LED lights up and is actually part of the clipping circuit.\u003c\/li\u003e\n\u003cli\u003eSwitch DOWN – Lead Mode.  This is like your amp’s Lead Channel – LED does not light, higher gain, more saturation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":1715036995,"sku":"KEELEY-STAHLHAMMER","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-stahlhammer-distortion-8922408646.jpg?v=1503439830"},{"product_id":"keeley-dynatrem-tremolo-pedal","title":"Keeley DynaTrem Tremolo Pedal","description":"\u003ch1\u003eDynaTrem Dynamic Tremolo and Reverb\u003c\/h1\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing.   Your playing controls the Rate and Depth.  The harder you play, the more it responds.  Play softly and it relaxes.  Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.\u003c\/p\u003e\n\u003ch3\u003eTone Trio – Three Modes\u003c\/h3\u003e\n\u003cp\u003eDynamic Rate – Your playing strength controls the Rate.  The harder you play, the faster it modulates!  Relax and play softly and the tremolo almost stops.\u003c\/p\u003e\n\u003cp\u003eDynamic Depth – Play gently and it just barely throbs.  Play aggressively and it and pulse hard and deep.\u003c\/p\u003e\n\u003cp\u003eHarmonic Tremolo + Reverb Mode.  Yes that phaser\/vibey, soulful and sweet sound!  We have crafted our own circuits to give you a sound that is sinfully good.  Slippery and smooth, you won’t want to gig without it. Add Reverb by adjusting the SHAPE control\u003c\/p\u003e\n\u003ch3\u003eWave Table\u003c\/h3\u003e\n\u003cp\u003eWith a spin of the SHAPE control you get 4 wave-forms:  Ramp Up, Sine Wave, Ramp Down, and Square Wave. Or, when in Harmonic Tremolo Mode the Shape control is Reverb!\u003c\/p\u003e\n\u003ch3\u003eOther Features\u003c\/h3\u003e\n\u003cp\u003eIntegrated noise reduction – developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.\u003c\/p\u003e\n\u003cp\u003eOutput Volume Control – Can be set for a boost for stand out effect.\u003c\/p\u003e\n\u003cp\u003eTrue-Bypass – No tone loss when off\u003c\/p\u003e\n\u003cp\u003eBattery Free – Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II.  60mA or greater.\u003c\/p\u003e\n\u003cp\u003eKeeley Engineered – Decades of audio experience and design.\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo features killer graphics!  Looks like an old tube amp or old tube radio.  Tone to match too!\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":1747284227,"sku":"KEELEY-DYNATREM","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-dynatrem-tremolo-pedal-1638273603.jpg?v=1503439725"},{"product_id":"keeley-white-sands-luxe-drive","title":"Keeley White Sands Luxe Drive","description":"\u003ch1\u003eKeeley White Sands Overdrive\u003c\/h1\u003e\n\u003cp\u003eKeeley’s Low Gain Overdrive Effect. The White Sands Luxe Drive.\u003c\/p\u003e\n\u003cp\u003eInspired by the faintest rounding of your tone when you start to push a tube, this is Keeley’s low gain drive solution.  The Keeley White Sands pedal uses asymmetrical clipping that clips or distorts half of the guitar signal more than the other half. With this type of clipping you simulate some of the characteristics of a tube amplifier.  It’s also in the clipping stage that we keep the bass response tight by making sure bass frequencies don’t get muddy when they are distorted.  What you get is pure Rock’n’Roll with the Keeley White Sands.\u003c\/p\u003e\n\u003cp\u003eThe White Sands Luxe Drive uses a different tone control network that is found in many tube drive pedals.  Fan of the Keeley Red Dirt Overdrive?  Well think of this as a low drive version with a tone control network that doesn’t boost the mid-range frequencies.  The Tone range is controlled yet very useful in dialing the high end response.  Want to dial in a transparent tone to see if the pedal can remain true to your guitar’s tone? Go ahead!  Do you want to use that neck pickup on your Les Paul or other humbucker equipped guitar but not have it turn to mush?  Don’t worry, the Luxe Drive isn’t about putting a mask on your tone, in fact it retains amazing transparency.\u003c\/p\u003e\n\u003cp\u003eOkay, need to kick it up a notch and hit the crowd with some dirt? Sandy Mode – drive that’s smooth, feels Really Good and has that snarl of authenticity. SANDY is what you need when you ain’t trying to be sensitive!\u003c\/p\u003e\n\u003cp\u003eWe know players pay a lot of money for their guitars.  Why have a pedal destroy your signal?  The White Sands uses our JFET input buffer, like what’s used in the Red Dirt and Seafoam chorus, to capture your pickup’s nuances without loading them down.\u003c\/p\u003e\n\u003cp\u003eFor those familiar with our line-up, this falls into a range between the sparkling clarity of the Katana and the rough’n’ready Red Dirt pedal.  In fact, this pedal beat out every other pedal we could find by other manufacturers in blind listening and playing tests.  We are very proud to present this effect pedal.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":1750936131,"sku":"KEELEY-WS","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-white-sands-luxe-drive-1641056131.jpg?v=1503439854"},{"product_id":"keeley-abbey-chamber-verb","title":"Keeley Abbey Chamber Verb","description":"\u003ch1\u003eAbbey Chamber Verb\u003c\/h1\u003e\n\u003cp\u003eThe sound of Abbey Road's echo chamber from Studio 2 in a pedal. Get the tone of playing your guitar in the same room that the Beatles played in. Could it get any better??\u003c\/p\u003e\n\u003ch4\u003eSoft Vintage Reverb – Keeley’s Recreation of the Famous Studio’s Echo Chamber\u003c\/h4\u003e\n\u003cp class=\"size-medium wp-image-10095\" src=\"https:\/\/robertkeeley.com\/woo\/wp-content\/uploads\/2015\/09\/640px-Hallraum_TU_Dresden_2009-06-21-300x200.jpg\" alt=\"Hallraum TU Dresden 2009-06-21 by Henry Mühlpfordt\" height=\"200\" width=\"300\"\u003eAn echo room chamber is a space where program material is played and the reverberations are captured on a microphone.  You know the classic sounds of a good church or music hall. Studios needed to capture these effects without always going to a church or hall to record. So, they built their own echo chambers. The famous EMI\/Abbey studio had 3 echo chambers. They also used electronic filters to carefully refine the sound in order to make it easier to record, which made the end results sound impeccable.\u003c\/p\u003e\n\u003cp\u003eKeeley has incorporated the RS106 filter which had points at 600Hz high pass filter and a 10K low pass filter. In the studio, music (or your guitar) was filtered through at these points before being sent to the speaker in the echo chamber. This made for a tighter, more defined sound to be present in the chamber.\u003c\/p\u003e\n\u003cp class=\"size-medium wp-image-10096\" src=\"https:\/\/robertkeeley.com\/woo\/wp-content\/uploads\/2015\/09\/abbeyroadplugins_brilliance-300x156.jpg\" alt=\"brilliance controls - sonicstate.com\" height=\"156\" width=\"300\"\u003eNext there is the Brilliance Control, either the RS127 or RS135. This was what the engineers used to refine the reverb sound that they captured on the microphone. Engineers could select one of 3 frequency points to boost or cut by +\/-10 dB. The key frequencies they targeted were 2.7 kHz, 3.5 kHz, or 10 kHz, now offered on the Abbey Chamber Verb.\u003c\/p\u003e\n\u003cp\u003eThe Pre-Delay of the room is a naturally occurring 30ms, and the delay of the tape machine added another 150ms, so that’s the range that we give you.\u003c\/p\u003e\n\u003cp\u003eWith the Abbey Chamber Verb, you can have these classic tools to add reverb to your guitar, vocals, or to any element of your recordings or live sound.\u003c\/p\u003e\n\u003ch2\u003eSoft and Warm Vintage Reverb\u003c\/h2\u003e\n\u003cp\u003eThat’s what we were after here. We want people to recreate some of those classic sounds in a live setting without a DAW or other expensive packages. Guitar players need a plug-and-play chamber reverb that gives them the classic sounds they are used to and want to emulate.\u003c\/p\u003e\n\u003cp\u003eYou can easily set the Decay to determine the length of the reverb.\u003c\/p\u003e\n\u003cp\u003eThe Pre-Delay is used to match the classic sounds of vintage recordings, going from extremely fast doubling in the reverb to a slapback type of sound.\u003c\/p\u003e\n\u003cp\u003eThe Brilliance Control allows you to have the same types of tools to filter and fine tune the reverb, which allows for soft reverbs, deep and sublime reflections, bright and reflective ambience–whatever you chose. You are now the studio engineer to your own sound!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/v8dECzXpA64\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":12147597702,"sku":"KE-ACV","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-abbey-chamber-verb-8054821830.jpg?v=1503439701"},{"product_id":"keeley-compressor-pro","title":"Keeley Compressor Pro","description":"\u003ch1\u003eKeeley Compressor Pro\u003c\/h1\u003e\n\u003cp\u003eKeeley Compressor Pro.  The stomp-box sized compressor\/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors.  It is in no way limited to be used with only guitar.  It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.\u003c\/p\u003e\n\u003ch2\u003eIntroduction of Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch5\u003eCompression LED Display – 7 Segment LED display for fast and accurate metering of compression and gain reduction.  Gain Reduction Levels of -1dB to -20dB are indicated.\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch5\u003eThreshold LED Indicator – Bi-Color LED to indicate when compression is initiated and released.\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch5\u003eExact RMS Analysis (ERA) – Senses the true RMS value of the input program material such as your guitar, bass or drum machine.\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch5\u003eHard\/Soft Knee Compression – Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch5\u003eAuto Mode – Program dependent Attack and Release times.  Set to Auto ON for worry-free performance and automatic Attack and Release times.\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch5\u003eTrue-Bypass – No tone or signal loss when OFF\u003c\/h5\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eGeneral Compressor Usage\u003c\/h2\u003e\n\u003cp\u003eThe Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument.  In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload.  The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums.  Use it when creating a podcast or YouTube videos to maintain professional performance levels.  Use it around the home to create tons of sustain while at low volumes or low gain settings!\u003c\/p\u003e\n\u003ch2\u003eDevice Controls\u003c\/h2\u003e\n\u003ch5\u003eTHRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, \u0026amp; 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modulation.  Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads.  The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats.  With a simple set of controls for the delay – Time, Regen, and Level and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather unique tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eECHO CONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDelay Time – This Time control roughly sets the length between your repeats between 40ms and 600ms.  This range is well suited for classic, vintage delay sounds that are great for slap-back or medium length delay times.\u003c\/p\u003e\n\u003cp\u003eRegen – This control sets the number of repeats.  You can set this for a single slap back echo or turn it up for a runaway, self-oscillating or self-regenerating echoes.  (Now 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sounds, or just want a great classic rock sounding echo, the Magnetic Echo will sound great in your rig.\u003c\/p\u003e\n\u003cp\u003eKeeley Electronics started to develop and produce this delay way back in 2005.  But as things happened, we worked on other projects, always keeping an eye on the growing delay and echo market.  We sure you will be very happy with the tone of this echo\/delay\/modulation effect.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":12219054278,"sku":"KMAG","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-magnetic-echo-8077234246.jpg?v=1503439765"},{"product_id":"keeley-30ms-automatic-double-tracker","title":"Keeley 30ms Automatic Double Tracker","description":"\u003ch2\u003e\u003cstrong\u003eImprove Your Tone with the Keeley 30ms Automatic Double Tracker\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eKeeley 30ms Automatic Double 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This is it. The Katana Boost is also a fat, harmonically rich boost, just pull out on the volume knob and stretch your imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.\u003c\/p\u003e\n\u003cp\u003eObsessed or Compelled with the Fattest, Fullest Drive? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else!\u003c\/p\u003e\n\u003cp\u003eThe Katana circuit is Robert Keeley’s first guitar effect design for Keeley Electronics. It was originally designed for Legendary Tones for the Time Machine Boost but then became an independent product under the Keeley name after the Compressor came out. Robert’s very first effect pedal design (1999) was a digitally controlled Analog Delay complete with built in digital tuner. It worked perfectly and can even be seen at the shop from time to time. 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A musically rich and dynamic overdrive for the most discriminating guitar player. After more than a decade of building great guitar tone from the ground up, Keeley has crafted an overdrive that is destined to be a classic. It’s about tone and feel. The Katana Blues Drive captures the best elements of tubes with a transparency that allows your guitar’s full tonal range to shine through while at the same time delivering dynamics that are sensitive to the touch. This pedal cleans up perfectly, just roll your guitar volume back and let it shine.\u003c\/p\u003e\n\u003ch2\u003eGlass Tube Clarity\u003c\/h2\u003e\n\u003cp\u003eThe Keeley Katana Blues Drive is our most expressive and musically inspirational overdrive pedal to date. We’ve taken the legendary tube clarity of our best-selling Katana Boost’s JFET stages and blended them together with a unique overdrive circuit that’s been influenced by our award-winning overdrive pedal modifications.\u003c\/p\u003e\n\u003ch2\u003eInspiration\u003c\/h2\u003e\n\u003cp\u003eWith active tone controls and layered overdrive tones, the Katana Blues Drive feels rich and thick yet lets your guitar tone come through. Over 13 years in the making, we’ve taken every ounce of feedback from customers to deliver an overdrive we are extremely proud of. The Katana Blues Drive was built for your inspiration. You know when a piece of gear inspires and your tone is dialed just right. Your playing becomes free and full of energy. Ideas flow. Magic happens. The Keeley Katana Blues Drive: Are you ready to get into overdrive?\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14474389830,"sku":"RKFX-BLDRV","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-katana-blues-drive-8922373638.jpg?v=1503439748"},{"product_id":"keeley-oxblood-overdrive","title":"Keeley Oxblood Overdrive","description":"\u003ch1\u003eKeeley Oxblood Overdrive - Klon clone\u003c\/h1\u003e\n\u003ch4\u003eThe New Voice Of Rock and Roll\u003c\/h4\u003e\n\u003cp\u003eWhen inspiration hits, you need the voice to proclaim it.  When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that let players blend from perfectly clean to amp-crushing roar.  We wanted that impossibly huge and focused midrange that makes any guitar… Strat, Paul, Tele, sound incredible.  We knew we could do it our way and offer you more tone.  So we designed this pedal over the course of a few days to outdo the old pedal.  I am confident we not only drew blood, we crafted a #killer\u003c\/p\u003e\n\u003ch3\u003eClean, Distortion, Fuzz – It’s All There\u003c\/h3\u003e\n\u003cp\u003eWith the Keeley Oxblood Overdrive you roll off the Drive Control down and get a perfectly clean sound, you can dial in any amount of distortion and volume to stomp an amp into pure tonal nirvana.  The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes.  Magical and Mythical, Monstrous and Most Satisfying they are indeed.\u003c\/p\u003e\n\u003cp\u003eThe key to the ultimate overdrive in our opinion is the ability to control five different parameters.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBass response.  Phat Switch, cuts bass response to give you that classic Screamer or K-like midrange shelving.  The bass response when cut is saturated with a hint of 2nd order harmonics.  Punchy and full yet not overbearing.  It cuts like a buffalo, what can I say?\u003c\/li\u003e\n\u003cli\u003eClipping.  Sometimes there just ain’t enough gain in the world.  Well not with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief.  From Texas Rock to Bold Pretty Boy Strat Sounds that make ya wanna die.\u003c\/li\u003e\n\u003cli\u003eTone Control.  You need to be able to dial in the highs perfectly or nothing else matters right?  The highs are what makes it ear candy or ice picks.  Heck we give you the range to do whatever the heck you want to do.\u003c\/li\u003e\n\u003cli\u003eVolume.  You have to be able to put the pedal to the metal whenever you darn well chose.  Voltage doubling in our circuit gives you just that.  Headroom for days.  Slay an amp, leave it a bloody mess.  No you won’t blow tubes, but you will have them at the right temperature to make them glow with delight.\u003c\/li\u003e\n\u003cli\u003eDrive.  What? You want me to describe Drive?  Shoot, from “Is it on?” cleans to searing sustain and saturation.  It pushes you.  Compels you to play.  Non-stop playing…\u003c\/li\u003e\n\u003cli\u003eMidrange.  Wait.  Didn’t I say 5?  Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood.  It’s masterful creation of sultry mids.  The kind of mids singers or cellos are known for.  Throaty and powerful.  Not just a woman tone, but a manly roar.  Not congested and stuffed up.  Focused and brilliant.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrifecta\u003c\/h3\u003e\n\u003cp\u003eThe Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman.  Jack Orman has been a pioneer in the modern world of effects for 20 years.  His thoughts and ideas are incorporated by nearly every boutique builder out there.  Here is your chance to hear a brand new creation designed to outperform any of the clones.\u003c\/p\u003e\n\u003ch2\u003eKeeley Oxblood Overdrive Shipping Now!\u003c\/h2\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14475276038,"sku":"RKFX-OX","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-oxblood-overdrive-8922600070.jpg?v=1503439792"},{"product_id":"keeley-son-of-fuzz-head","title":"Keeley Son of Fuzz Head","description":"\u003ch1\u003eKeeley Son of Fuzz Head Description\u003c\/h1\u003e\n\u003cp\u003e(from Robert Keeley) The all new Keeley Son of Fuzz Head.  I think it’s my best offering.  I retained the Differential Pair transistor setup at the heart of the design that is unique to the Fuzz Head.  We added a JFET tube-amp simulator on the front end followed by a germanium transistor gain stage.  We vastly improved the Tone Control and moved it to the outside of the pedal (people have wanted this for over a decade!)  Diode clipping can be completely removed for a brutal overdrive sound.  This does Fuzz to the extreme and Overdrive supreme.\u003c\/p\u003e\n\u003cp\u003eWant to own a truly unique Keeley design?  This is it.  It combines the best elements of all out raging fuzz and overdrive.\u003c\/p\u003e\n\u003cp\u003eThe original Fuzz Head won the Guitar Player Magazine BEST STOMP BOX. The key elements to that design remain intact.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14475892614,"sku":"RKFX-SOFH","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-son-of-fuzz-head-8922792326.jpg?v=1503439817"},{"product_id":"keeley-gc-2-compressor","title":"Keeley GC-2 Compressor","description":"\u003ch1\u003e\u003cstrong\u003eKeeley GC-2 - Studio Compressor in a pedal!\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003ePrecision Compression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier provides true high-fidelity compression and limiting.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320.  Think of it as very musical studio-grade compressor in stomp box format!  It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency.  Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz.  No detail in your guitar’s tone will be lost.  The Keeley GC-2 will be a sound investment in your tone–you now have genuine rack-mount quality at your feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompression and Threshold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a \u003cem\u003elimiting amplifier\u003c\/em\u003e saves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy!  Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold.  Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost.  Set Compression all of the way up for an above-Threshold, hard-knee limiter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack and Release\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere is a certain figure that just sounds good as far as compression goes, and that’s 125 dB\/second.  With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter.  The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor.  Bottom line: Attack and Release times vary on program content.  Attack times are, generally speaking, \u003cem\u003eabout\u003c\/em\u003e 100 times faster than release times.\u003c\/p\u003e\n\u003cp\u003eAttack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB\u003c\/p\u003e\n\u003cp\u003eRelease Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone Control and Blend\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNone – You don’t need a tone control or a blend control on a compressor.  In fact, in our opinion it’s not a good idea.  If you want a blend control, you are undoing your compressor.  Instead, set the Threshold high and only let peaks be processed and then set the Compression Ratio to 2:1 or 4:1.  Much smarter.  So, tone control?  None here. It has tone for days, and there is no need to add treble response back into the mix.  Its ultra slick, feed-forward compression design helps maintain high-end treble response like no other.  Lastly, Tone Controls and Blend Controls only add noise in a compressor.  Why add noise to a compressor circuit?\u003c\/p\u003e\n\u003cp\u003eSpecs:\u003c\/p\u003e\n\u003cp\u003eVoltage Input: 9.6V\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 15mA\u003c\/p\u003e\n\u003cp\u003eInput Impedance 1 Meg ohm\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: 100 ohm\u003c\/p\u003e\n\u003cp\u003eOutput Voltage Gain: +30dB Boost\u003c\/p\u003e\n\u003cp\u003eBandwidth \u0026gt; 20kHz\u003c\/p\u003e\n\u003cp\u003eTotal Harmonic Distortion: 0.1%\u003c\/p\u003e\n\u003cp\u003eNoise: -95dBV\u003c\/p\u003e\n\u003cp\u003eThreshold Indicator: Dual LED\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14617723974,"sku":"RKFX-GC2","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-gc-2-compressor-8977160390.jpg?v=1503439730"},{"product_id":"keeley-java-boost","title":"Keeley Java Boost","description":"\u003cp\u003eKeeley Java Boost\u003c\/p\u003e\n\u003cp\u003eThe Java Boost is a germanium based Treble Booster designed to give you classic tones from the 60’s and 70’s. It is not a clean boost.\u003c\/p\u003e\n\u003cp\u003eIt must be used with a cranked amp that is overdriven or distorting a bit already. Cranking the amp and pedal will result in more creamy, beautiful, sustaining distortion with the Java Boost.\u003c\/p\u003e\n\u003cp\u003eThe Java Boost is most widely used with a tube amp set to a bit of overdrive or clipping which is the key to getting a great sound from this pedal. Setting the java boost in front of a very clean amp with the volume on 1-2 will surely result in a fairly weak guitar tone! Set the amp for some breakup, then click the Java on. There, you’ll have a fantastic sound and see why people rave about the Java Boost.\u003c\/p\u003e\n\u003cp\u003eThe Java Boost is not related to the TS9 or Blues Driver, or any other distortion or overdrive pedal. Boss and Ibanez do not make anything like it!\u003c\/p\u003e\n\u003cp\u003eThis product is a Treble Booster by design, not a typical overdrive or distortion pedal. That means, the higher the note played, the more it gets amplified and then, by your amp, distorted. Bass notes get cut in two modes on the Java Boost!\u003c\/p\u003e\n\u003cp\u003eSome people don’t have experience with treble boosters. This can make using the Java Boost difficult if you try to use it with a huge power amp that has tons of headroom or doesn’t distort easily. The trick to get the Java Boost to outperform any other pedal is to have the right amp settings. The amp should be on the verge of breakup or greater. This is where the wealth of tone will is possible.\u003c\/p\u003e\n\u003cp\u003eAnother way to run it is before an overdrive pedal. This is the pedal to get if you want a two pedal overdrive setup. Couple this in front of a TS9 or BD-2 and the results are simply amazing. This will add sparkle and life to your solos like no other pedal can.\u003c\/p\u003e\n\u003cp\u003eSo what if your amp is set to super clean?!?! No problem, I’ve found that I love the Java Boost in front of most other overdrive pedals! Yes, simply use the Java in front of your blues driver, TS, DS, BD, SD, FF type pedal and you get similar results when the standard overdrive pedal is on.!\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14637206022,"sku":"RKFX-JAVBST","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-java-boost-8985618054.jpg?v=1503439743"},{"product_id":"keeley-psi-fuzz","title":"Keeley Psi Fuzz","description":"\u003ch1\u003eKeeley Psi Fuzz\u003c\/h1\u003e\n\u003ch2\u003ePSI FUZZ IS BORN!\u003c\/h2\u003e\n\u003cp\u003e“Make a Muffin Better”, \u003cem\u003eFrank Zappa\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWe set out to take a classic design with lots of history  and make it obviously something new.  We took the op-amp version of old PI and inverted one of the stages, brought out the midrange, tightened the bass, and most importantly, added a Germanium transistor output!  Yes, this is a opamp-transistor hybrid.  Don’t be miffed by op-amps in your pie folks, the germanium touch at the end makes everyone smile around the shop here.\u003c\/p\u003e\n\u003cp\u003eWe wanted to celebrate our 12th pedal of the year by offering it in two forms.  Two choices, 1) Custom Art in a late 1960’s style or 2) Greek Gold Deco.  The first is hand drawn by Erin Lofties.  Her stunning artwork looks out of the 60’s and was completed this week specifically for this pedal.  Then then Gold Brick Greek God model.  Stripped down, simple and clean.\u003c\/p\u003e\n\u003cp\u003eAudio and Video Clips soon – \u003cspan style=\"text-decoration: underline;\"\u003eShipping After Christmas is more than likely unless you were part of the first 50.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…This is how the first phase of our design went: (from Bob’s Blog)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eHow do you make a design different?  Put your own spin on it?  You can make it distort differently, you can make the tone different, add some features,  you might even be able to put a little lipstick on it.  At the first audio\/video repair shop I worked at in 1989, I remembered seeing clipping or limiting diodes, LEDs in fact,  in certain types of gear where there were A\/D converters.  I noticed as I was working on the equipment that the LEDs were lighting up on the inside of the unit when the program material was high enough.  No one could see them except the service tech.  How cool would that be if everyone could see them on their distortion pedals?!  So I’m pretty sure I was the first to make it a standard feature on a guitar effects pedal by putting the clipping LEDs on the outside of the pedal when I built the DS-1 Seeing Eye mod and later the Ultra mod.  It’s done pretty regularly now on my pedals including the latest Red Dirt Pro and Stahlhammer.  They might not light up very brightly, but that doesn’t matter, they are still doing their job.  And so, I wanted to dive into the old Muff and make it mine.  Rearrange things, add some bling, make it Psi Fuzz!\u003c\/p\u003e\n\u003cp\u003eIt seemed like I could have fun doing an all germanium one, but that was done already.  It \u003cem\u003eseems\u003c\/em\u003elike there isn’t gross overpopulation of op-amp versions of the old gal.  But what to do to make it mine, at least in some way?  Well we can add to the circuit.  Again, I was thinking germanium transistors since they always have a fun sound.  So let’s add a common emitter amplifier to the end.  That would put a germanium spin on the overall sound.  But we have phase inversion then.  Input and output are in phase on the vintage pedals and I wanted to maintain that.  Great!  I get to play with the stages!  The first thing I wanted to alter was the 2nd “gain-stage” and filter.  That’s a Sallen-Key filter and you can only make it using a non-inverting style op-amps.  I got to play around with values and changed things up a bit.  I wanted to know how it felt to swing that 1KHz 2nd order filter around.  So I made it go up and down.  In and out came the harmonics…and the noise.  Very cool.  I can set that filter to where I want it.  I want it to have a bit of fire and life and not feel too cramped in the high end.  I’ll use a lower noise, mildly more expensive IC to combat noise instead of kill the guitar tone.  Okay, still have to invert the phase somewhere!  Yup, the first stage is where it gets it.  I changed a few things around to make it a non-inverting op amp and it works well.   I’m still playing with those values but I dig it.  Right now the low pass filter for the first stage is about 10Hz if I remember correctly and that’s okay with the girls I date.  Phase is correct (with the soon to be added germanium gain stage) and I’ve changed the design so far, even if trivially.\u003c\/p\u003e\n\u003ch3\u003eThe Big Wazoo\u003c\/h3\u003e\n\u003cp\u003eSo I changed the 6 silicon diodes in the feedback of the third stage to 2 LEDs and yes, one of them will poke through the hole in the top. The “Keeley Mod” has been done to it, including blue as Neptune Psi Fuzz Blue LED.  (Yes, another first from Keeley Electronics.)  And finally, the pre-climax to this story, our phase is in crisis, the hero takes action, the germanium amplifier stage!  Ahhh, fitting like a glove between the Voice control and the Voltage control is a common emitter amplifier using a AC187.  I am pretty happy with the biasing of it.  The collector sits around 4.5V and we get a gain of 10dB out of it.  Oh wait!  We don’t want this thing not putting out when it gets hot!  That would be as wrong as a double negative!  You know, when it’s a 113 degrees in the shade and some Rock God is on stage in Texas,  just working it for all it’s worth, he don’t want things to blow ya know.  Craighton and I get the heat gun out and sure enough, Mr. Semi-Conductor from the 60’s sags and wimps out in the heat.  Just like your poor old fuzz face.  When the mercury hit 115 the lights went out.  Okay, off to the parts room.  Out comes a real germanium diode.  Not the \u003ci\u003eShenzhen China\u003c\/i\u003e\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003eSchottky ones, but some good strong American ones.  Ones that behave the same as the transistor when it gets hot.  We used the germanium diode in a reverse polarity fashion across the base-emitter junction of the transistor to offset the temperature coefficient problem.  Turned on the heat gun, just let it blow…it got hot..really hot…well over 140 degrees…and it never stopped pumping out the love.\u003c\/p\u003e\n\u003ch3\u003eCome As You Are\u003c\/h3\u003e\n\u003cp\u003eOur version has a single integrated circuit package, a quad op-amp, and a single transistor.  Trim and Slick!  I love it!  Sounds terrific!  We still need to fine tune this design a bit more but, there you have it;  The Psi Fuzz by Keeley Electronics.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14638600518,"sku":"RKFX-PSI","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-psi-fuzz-8986273094.jpg?v=1503439789"},{"product_id":"keeley-vibe-o-verb","title":"Keeley Vibe-O-Verb","description":"\u003ch1\u003eKeeley Vibe-O-Verb Ambient Reverb\u003c\/h1\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThis is a reverberation machine\u003c\/strong\u003e\u003c\/em\u003e….\u003cem\u003e Lost reverbs that never were.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe atmospheres are Vibey, have Vibratoneness, and are Phasery….\u003c\/p\u003e\n\u003cp\u003eThis three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.\u003c\/p\u003e\n\u003ch2\u003eFibonacci\u003c\/h2\u003e\n\u003cp\u003eAll of the Delay Space in our reverb engine for the pedal are in the Fibonacci series.  What does this mean for you?  You’ll probably make more money, look better (see golden ratio below) and find true happiness.  What does this mean for us?  A secret pleasure in defining a reverb that is unique and possibly more musical.  Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios?   0, 1, 1, 2, 3, 5, 8, 13, 21, 34\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Fibonacci_number\"\u003ehttps:\/\/en.wikipedia.org\/wiki\/Fibonacci_number\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/facethis.blogspot.com\/2012\/01\/perfect-face-golden-ratio-beauty.html\"\u003ehttp:\/\/facethis.blogspot.com\/2012\/01\/perfect-face-golden-ratio-beauty.html\u003c\/a\u003e\u003c\/p\u003e\n\u003ch4\u003eHarmonic Reverb\u003c\/h4\u003e\n\u003cp\u003eThis mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb.  Imagine choppy waves of tremolo on your verb!  All with the a delicious hint of Vibe!  Dynamic Dimension Canyons?!\u003c\/p\u003e\n\u003ch4\u003eVibrato Reverb\u003c\/h4\u003e\n\u003cp\u003ePitch Bending Reverberation Machine.  From mild chorus to spacey bayou tones!  Too grande to call our modulated chorus, this is one for modern psychedelics.  For this one you have to imagine maybe both the source and the reflective wall moving!  Maybe even accelerating with respect to each other.  Why didn’t we call this one the General Theory Of Reverberation?\u003c\/p\u003e\n\u003ch4\u003ePhaser\u003c\/h4\u003e\n\u003cp\u003ePhaser Modulated Reverb.  Maybe the most mild but in a way that lets you appreciate some of the space around notes.  This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass.  Round and round.  Get the idea?  Dynamic reflections in an all new space.\u003cbr\u003e Enjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were….until now.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eEACH UNIT IS POWDER COATED IN SUPER CHROME\u003c\/strong\u003e\u003c\/em\u003e.  It is neather “Super” nor “Chrome”  The all have little bumps, specks, dots, etc, etc, etc.  These little things are called “Character”  You pedal will not only sound great, but have lots of character.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14638692230,"sku":"RKFX-VIB-VRB","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-vibe-o-verb-8986352198.jpg?v=1503439838"},{"product_id":"keeley-time-machine-boost","title":"Keeley Time Machine Boost","description":"\u003ch1 style=\"display: block;\" class=\"panel entry-content wc-tab\" id=\"tab-description\"\u003eTime Machine Boost\u003c\/h1\u003e\n\u003cp\u003eRedesigned and More Powerful than ever before!\u003cbr\u003e -Contains the legendary Katana and Java Boost circuits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% Hand Crafted in the USA.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a 2 channel, 5 mode pre-amplifier (booster) for driving your amplifiers into overdrive or saturation. The two channels on the pre-amplifier are labeled Vintage and Modern. The Vintage side is inspired by rare germanium boosts like the Dallas Rangemaster. The Modern side a new +23dB gain dual JFET, very transparent, guitar signal amplifier.\u003cbr\u003e The Time Machine Boast design uses a Maxim MAX1044 voltage doubling IC to get additional headroom. As with all Keeley built electronics it incorporates top-of-the-line audiophile-style parts. Each unit’s germanium Vintage side is fine tuned by careful calibration and finally ear tuned to get the perfect treble boosting tones from your amp. The Modern side features the popular J201 JFETS for maximum tube-like tone and pristine, clear highs.\u003cbr\u003e This is a booster designed to be used with other overdrive pedals to complete a tone-package or drive section of your effects setup. This is not an overdrive or distortion pedal. You need to use it with other OD pedals.\u003c\/p\u003e\n\u003cp\u003eThe long history of the Time Machine Boost starts back in 2002 with David Szabados and Robert Keeley designing a pedal together. That company was called Legendary Tones.\u003cbr\u003e Being one of only a few pedals to ever be completely point-to-point wired at that time, the pedal went on to gain huge success.\u003cbr\u003e – On the cover of Vintage Guitar Magazine, March 2003!\u003cbr\u003e – Featured in the Mighty BUZZ BIN, Guitar World Magazine, Feb. 2003 Issue.\u003cbr\u003e Keeley bought out Legendary Tones shortly after the famous George Lynch “Mr. Scary” TMB’s came out. All of the gain and features of those units are finally incorporated in this, all new, 2014 Time Machine Boost.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":14667094534,"sku":"RKFX-TMB","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-time-machine-boost-8999448006.jpg?v=1503439836"},{"product_id":"keeley-memphis-sun","title":"Keeley Memphis Sun","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eKeeley Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker\u003c\/h1\u003e\n\u003ch5\u003eHead into the Memphis Sun and bask in the tones of the 1950s!  Studio sounds of the 1950s and more.  Small Room Reverb, Slapback Echo, Futuristic Double Tracking.\u003c\/h5\u003e\n\u003cp\u003eAh, the sounds of Rock and Roll….\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClickety Clack,\u003c\/strong\u003e\u003cbr\u003enoun:\u003cbr\u003eA rhythmic, swiftly paced succession of alternating clicks and clacks, as the sound produced by the wheels of a train moving over tracks. \u003cem\u003eI hear that train a comin’\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"def-set\"\u003e\n\u003cdiv class=\"def-content\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"def-content\"\u003eMemphis Sun!\u003c\/h3\u003e\n\u003cdiv class=\"def-content\"\u003eThe new \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e – Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal.  Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before.  It’s NeoVintage. It’s an Echo and Reverb pedal.\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003eThink of this pedal as three different effects:\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eECHO 600\u003c\/strong\u003e – \u003cspan\u003eEcho for Long Delays\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eSUN MODE\u003c\/strong\u003e – \u003cspan\u003eAuto Track-Doubling and Slapback with Short Delays\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\n\u003cstrong\u003eREVERB\u003c\/strong\u003e – \u003cspan\u003eRoom Reverb – Full Studio Studio Simulation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003eBoth of the \u003cstrong\u003eECHO 600\u003c\/strong\u003e and \u003cstrong\u003eSUN MODE \u003c\/strong\u003eeffects have a Room Reverb.  It’s a one-knob, rock and roll type of room reverb.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"def-content\"\u003eRoom Reverb\u003c\/h3\u003e\n\u003cdiv class=\"def-content\"\u003e The Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed. We add a slight amount of “room compression” to the reverb; it almost lives and breathes.  We take into account the frequency response of the mics used then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. In fact, second and third order harmonics are added to make sure it sounds\u003cem\u003e Just Right\u003c\/em\u003e.\u003c\/div\u003e\n\u003cdiv class=\"def-content\"\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003e The Time Control\u003c\/span\u003e is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus.\u003c\/li\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003eRegen\/Mod\u003c\/span\u003e is the Tone Control: this is an active filter +\/- 10 dB and is centered around 1.1 kHz.\u003c\/li\u003e\n\u003cli class=\"def-content\"\u003e\n\u003cspan\u003eReverb Control\u003c\/span\u003e is the Depth Control for the reverberations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSun Mode\u003c\/h3\u003e\n\u003cp\u003eLet’s Do it Twice Mama, It’s Alright!  Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time it goes right into slapback territory which is at the foundation of Country and Rock and Roll guitar sounds.  Like our \u003cstrong\u003eKeeley 30ms\u003c\/strong\u003e this pedal will do ADT.  The \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e creates a vintage-voiced double-track in mono.  Your guitar playing “Gemini-Twin” in this case has a very warmed up tone.  Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of dealy time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTime:\u003c\/span\u003e Delay Time is 0-180ms.  For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great.  The knob markers notate 0,30,60, 90, 120, 150, and 180ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eRegen\/Mod:\u003c\/span\u003e This is the Modulation for the ADT voice created.  Set to OFF for no Rate or Depth.  As you increase this control both the Rate and Depth of “Tape” modulation are increased.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReverb:\u003c\/span\u003e Old Rock-and-Roll Room Reverb.  RnR RR Right? Clickety Clack, RR Track.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eECHO 600\u003c\/h3\u003e\n\u003cp\u003eRock and Roll is the Devil’s music, right? Of course we made the delay time up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback Mode is done in stages. First we heavily filter the response at 1 kHz then compress the thing. Remember the concept… pack a bunch of sound in a small room and it compresses. Next we filter it again at 1 kHz!  Sounds like Rock and Roll, right? Aaron Tackett is our Rock and Roll Doctor of DSP here at Keeley. Not only is he devilishly good looking, he has a way of making waves look good, adding curves so to speak. He has added 2nd and 3rd order harmonics to this mix that simulate tape response and equipment distortions. Waves folded back on themselves.  Your gonna love his curves.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTime: 30-666ms \\m\/ \\m\/\u003c\/li\u003e\n\u003cli\u003eRegeneration:  As Jack White says, “Three.”  Up to three repeats. Or sometimes six….\u003c\/li\u003e\n\u003cli\u003eReverb: It’s Still Rock-and-Roll Room Reverb to Me\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3\u003eThat’s What I Say Rockin’ Robbin!\u003c\/h3\u003e\n\u003cp\u003eNeoVintage – Low Fidelity. That’s right. That’s what I say. This doesn’t sounds like some merry band of pixie nymphs playing digital fiddles in your ear. It sounds freaking good…\u003cem\u003eGreat in fact.  \u003c\/em\u003eIf this pedal had a smell, like playing a new acoustic guitar, it would be too intoxicating to play.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":29649610246,"sku":"RKFX-MEMSUN","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-memphis-sun-18878052870.jpg?v=1503439768"},{"product_id":"keeley-delay-workstation","title":"Keeley Delay Workstation","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eDelay Workstation\u003c\/h1\u003e\n\u003cp\u003eThe Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine.  Combining Keeley’s unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rVDCIERBRBs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces.  You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space.  Need rhythmic delays with some shimmer?  It’s here.  Always wanted to have the perfect ducking delay?  One that backs out of the way until your done with your notes, then the echoes fill in. “Ducking” is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes.   Wanna get twisted?  Try the Pitch delay into our Flanged Reverb.\u003c\/p\u003e\n\u003cp\u003eThe Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging.  There are two delays included in the reverb bank.  You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns.\u003c\/p\u003e\n\u003cp\u003eTwo banks of eight legendary effects.  Super Fidelity.  Super Compact.\u003c\/p\u003e\n\u003cp\u003eThe Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side.\u003c\/p\u003e\n\u003cp\u003eEffects Include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSlapback w\/reverb\u003c\/li\u003e\n\u003cli\u003eTape Delay w\/tone control\u003c\/li\u003e\n\u003cli\u003eMulti-Head Echo w\/3 head control\u003c\/li\u003e\n\u003cli\u003eAnalog Delay w\/dynamic modulation\u003c\/li\u003e\n\u003cli\u003eDigital Delay w\/inverse dynamic modulation\u003c\/li\u003e\n\u003cli\u003eSubdivided Delay w\/dotted eighth, eighth, triplet, sixteenth\u003c\/li\u003e\n\u003cli\u003eDucking w\/compression ratio\u003c\/li\u003e\n\u003cli\u003ePitch Shifting delay with w\/octave up\/down control\u003c\/li\u003e\n\u003cli\u003eSpring Reverb w\/tension control\u003c\/li\u003e\n\u003cli\u003eChamber Reverb w\/filter control\u003c\/li\u003e\n\u003cli\u003eHall Reverb w\/tone control\u003c\/li\u003e\n\u003cli\u003ePlate Reverb w\/tone control\u003c\/li\u003e\n\u003cli\u003eShimmer w\/octave up control\u003c\/li\u003e\n\u003cli\u003eFlanged Reverb w\/vibrato or random modulation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":32926085638,"sku":"RKFX-DELAY-WORKSTATION","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-delay-workstation-20827461766.jpg?v=1503445998"},{"product_id":"keeley-tone-workstation","title":"Keeley Tone Workstation","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eKeeley Tone Workstation\u003c\/h2\u003e\n\u003cp\u003eTen years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors.  John Mayer recently took two of the originals out on the Dead \u0026amp; Company tour.  For 2016 it’s more than a re-release; it’s a completely new, re-engineered workstation. The Keeley team of engineers and designers have upgraded the tone, enhanced the features, and reduced the size to now fit on anyone’s board.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QP-lxCAIudM\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003eIntroducing the Tone Workstation\u003c\/h3\u003e\n\u003cp\u003eThe front end of your signal chain–this is where your tone develops.   The first stage of amplification is critical for a sound that has clarity and delivers expressive tone.  Compression, Drive, Overdrive, Boost: you get it all here.  The Tone Workstation is designed to be the first stage in your pedal board.  It may even be the only pedal you bring to a gig. And we designed it that way.\u003c\/p\u003e\n\u003cp\u003eStarting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain.  Adjust the Sustain control for increased compression or squeeze.  As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone.  The Blend control is perfect for adding a little bit of  bite back in with high output pickups or humbuckers.  In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression.  When the Blend is set completely CCW, you get only compressed signal out.  Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50\/50 ratio.  The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.\u003c\/p\u003e\n\u003cp\u003eNext up is the 1962\/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone.  With the 62\/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive.  First, the 1962 is our British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation.  But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone.  In the Katana Mode, only the volume works; the Tone and Drive are disabled.  It’s a clean sound people say you just can’t turn off.\u003c\/p\u003e\n\u003cp\u003eLast in the chain is our renowned Red Dirt overdrive.  You get 15 years of modding tube screamers distilled into one toneful circuit.  Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two!  The Red Dirt circuit captures every nuance of your guitar’s tone and delivers a classic, smoking hot, silky smooth lead tone.\u003c\/p\u003e\n\u003cp\u003eDimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.\u003c\/p\u003e\n\u003cp\u003eThe Tone Workstation–reinvented, re-engineered, re-released for 2016–is the final word on your front end. In 2026, you’ll wished you’d grabbed two.\u003c\/p\u003e\n\u003cdiv class=\"fluid-width-video-wrapper\"\u003e\u003c\/div\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":32926300934,"sku":"KEELEY-TONE-WORKSTATION","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-tone-workstation-20827614790.jpg?v=1503445994"},{"product_id":"keeley-dark-side","title":"Keeley Dark Side","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eKeeley Dark Side\u003c\/h1\u003e\n\u003ch2\u003eMulti Head \u003cstrong\u003eTape Delay \u003c\/strong\u003e\u003cspan\u003eRotary\/Flanger\u003c\/span\u003e \u003cspan\u003eU-Vibe\/Phaser\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eYou can behold the universe in a glass of wine.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWe should all be so lucky as to be identified by the sound of a single note.  Some players are so well defined that their entire musical journey can be heard in a single note they play.  Tone is in the fingers.  Tone is in the mind.  Effects can be a great way of expressing emotions or creating textures.  The Dark Side is about creating sounds and adding new tones to your symphony.  It’s the things you can’t create with your fingers or mind.  It’s metasymphonic.  The Dark Side provides all the textures that define an essence, in one pedal.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0G_xVN_r5Z8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch4\u003eAtom\u003c\/h4\u003e\n\u003cp\u003eThe individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation.  The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style.  We used something similar in our Psi Fuzz.  This one is completely and radically different.  We made what seemed like endless changes to extract the nuances of earlier transistor based fuzzes.   We gained it way to down to fit the time period and the style.  This is a more transparent Big Fuzz.  This one lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based.\u003c\/p\u003e\n\u003cp\u003eThe next core element in the Dark Side pedal is the Delay and Modulation side.  You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds.  The Dark Side delay has 12 different syncopated delays.  They are rhythmic and have the tonal quality of the old spinning drum tape delays.  The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats.  You can use it for creating a feedback oscillation delay.  Extremely subtle modulations in the delay make it very musical.\u003c\/p\u003e\n\u003cp\u003eThe next atom in this workstation is the modulation effect.  There are four parts to this effect.  Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser.  You can blend between the “Electric Lady” Flanger and a Les-Rotary cabinet, creating new sounds.  You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser.\u003c\/p\u003e\n\u003cp\u003eThere is also an Expression Pedal port on the pedal.  It is highly recommended to have an expression pedal handy.  You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you’re creating music.  It has to be a TRS style expression pedal.  We suggest something like the M-Audio or Moog expression pedals.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":32926828614,"sku":"KEELEY-DARK-SIDE","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-dark-side-20828122694.jpg?v=1503445978"},{"product_id":"keeley-d-m-drive","title":"Keeley D\u0026M Drive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eThat Pedal Show’s D\u0026amp;M Drive\u003c\/h2\u003e\n\u003cp\u003eThe D\u0026amp;M Drive for That Pedal Show – 2nd Batch On Sale Now, Shipping May 15th!\u003c\/p\u003e\n\u003cp\u003eThe D\u0026amp;M Drive is the perfect storm of Drive and Boost.  The D\u0026amp;M offers a gorgeous sounding high voltage Boost side designed to impart the perfect tone on any amp that needs to be pushed.  No longer will you wonder what the perfect clean boost should be.  As you roll things up, the drive morphs your tone into singing gold.  A sexy and smoothly saturated midrange voice appears that breathes confidence.  The Drive side offers everything you’d want in a powerful gain stage.  From flat honest overdrive perfect for any set of chords to searing hot lead work with tons of sustain.  The Drive is the perfect counterpoint to the Boost.  Not only does each side of the pedal provide rewarding guitar tones, they can be used to stack together for an out-of-world experience.  The pro switching system developed for the D\u0026amp;M Drive allows you to select which side of the pedal comes first and in fact you can configure the pedal to work in a pro-switching system like the G2 for independent pedal use!\u003c\/p\u003e\n\u003ch3\u003eThat Boost\u003c\/h3\u003e\n\u003cp\u003eLooking for something in between a clean boost like the high voltage Keeley Katana and a germanium modded professional overdrive?  The D\u0026amp;M Drive delivers insane amounts of headroom and a distinct midrange voice can be dialed in to give you the lead voicing you dream of.  Dialed in to give you the punch and clarity of a horn yet subtle and smooth in saturation to give you warm overdrive and tons of sustain.  Expect it to work well with any amp or rig.\u003c\/p\u003e\n\u003ch3\u003eThat Drive\u003c\/h3\u003e\n\u003cp\u003eMultiple Gain Stages are where it’s at.  This delivers.  From a its lowest settings where you feel like you’ve discovered the perfect pro sounding overdrive to the roar of a high end amp.  This side of the D\u0026amp;M packs a heavily saturated punch.  The headroom on this side of the pedal is no slouch, use it to find that delicate balance between drive and amp saturation for the core of your tone.  Turn up the Drive to give you a dynamic and searing tube-like gain that excels in sustain.  Designed for quick attack with plenty of high and low end.  Rich harmonic gain and sustain with dynamics is what this side offers.\u003c\/p\u003e\n\u003ch3\u003eThe Switching\u003c\/h3\u003e\n\u003cp\u003eDaniel Steinhardt from TheGigRig insisted that this was a versatile dual gain box that wasn’t limited in any way with its two simple stomp switches.  You Select The Order!  A simple toggle allows you to configure the pedal so that when both the Drive and Boost are on you decide which is first.  If you want to have a smooth and round tone go into a richly driven amp-like gain stage….or if you want a highly driven tone with edge and harmonics to be then boosted with clarity and refinement, it’s your choice.  Not only that, but Daniel had the engineers incorporate his idea for TRS insert cables so that this pedal would easily integrate into an professional switching system like the G2.  Now pedal board designers can configure the D\u0026amp;M Drive to act as two independent pedals, switching between either side of the pedal as it were its own stand alone effect.\u003c\/p\u003e\n\u003ch3\u003eThe Video\u003c\/h3\u003e\n\u003cdiv class=\"fluid-width-video-wrapper\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/5ridpQktozw\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" id=\"fitvid223991\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":48439859349,"sku":"RKFX-D\u0026M","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/3341\/products\/keeley-keeley-d-m-drive-27961984085.jpg?v=1503446376"}],"url":"https:\/\/propedalshop.com\/collections\/keeley-guitar-effects.oembed","provider":"Pro Pedal Shop","version":"1.0","type":"link"}